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The project was in development for approximately three years at Paramount Pictures, during which time a screen adaptation that differed significantly from the novel was written. Summit Entertainment acquired the rights to the novel after three years of the project's stagnant development. Melissa Rosenberg wrote a new adaptation of the novel shortly before the 2007–2008 Writers Guild of America strike and sought to be faithful to the novel's storyline. Principal photography took 44 days, and completed on May 2, 2008; the film was primarily shot in Oregon.

Twilight was theatrically released on November 21, 2008, grossing over US$392 million worldwide. It was released on DVD March 21, 2009, and became the most purchased DVD of the year. The soundtrack was released on November 4, 2008. Following the film's success, New Moon and Eclipse, the next two novels in the series, were produced as films the following year.

Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near the Washington coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player. She is quickly befriended by many students at her new high school, but she is intrigued by the mysterious and aloof Cullen siblings. Bella sits next to Edward Cullen in biology class on her first day of school; he appears to be disgusted by her, much to Bella's confusion. A few days later, Bella is nearly struck by a van in the school parking lot. Edward inexplicably moves from several feet away and stops the vehicle with his hand without any harm to himself or Bella. He later refuses to explain this act to Bella and warns her against befriending him.

After much research, Bella eventually discovers that Edward is a vampire, though he only consumes animal blood. The pair fall in love and Edward introduces Bella to his vampire family, Carlisle, Esme, Alice, Jasper, Emmett, and Rosalie. Soon after, three nomadic vampires—James, Victoria, and Laurent—arrive. James, a tracker vampire, is intrigued by Edward's protectiveness over a human and wants to hunt Bella for sport. Edward and his family risk their lives to protect her, but James tracks Bella to Phoenix where she is hiding and lures her into a trap by claiming he is holding her mother hostage. James attacks Bella and bites her wrist, but Edward, along with the other Cullen family members, arrives before he can kill her. James is destroyed, and Edward sucks James's venom from Bella's wrist, preventing her from becoming a vampire. A severely injured Bella is taken to a hospital. Upon returning to Forks, Bella and Edward attend their school prom. While there, Bella expresses her desire to become a vampire, which Edward refuses. The film ends with Victoria secretly watching the pair dancing, plotting revenge for her lover James' murder.

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Stephenie Meyer's paranormal romance novel Twilight was originally optioned by Paramount Pictures' MTV Films in April 2004, but the screenplay that was subsequently developed was substantially different from its source material. When Summit Entertainment reinvented itself as a full-service studio in April 2007, it began development of a film adaptation anew, having picked up the rights from Paramount (who coincidentally had made an unrelated film with the same title in 1998) in a turnaround. The company perceived the film as an opportunity to launch a franchise based on the success of Meyer's book and its sequels. Catherine Hardwicke was hired to direct the film and Melissa Rosenberg to write the script in mid-2007.

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Rosenberg developed an outline by the end of August, and collaborated with Hardwicke on writing the screenplay during the following month. Rosenberg said Hardwicke "was a great sounding board and had all sorts of brilliant ideas.... I'd finish off scenes and send them to her, and get back her notes." Due to the impending Writers Guild of America strike, Rosenberg worked full-time to finish the screenplay before October 31. In adapting the novel, she "had to condense a great deal." Some characters from the novel were not featured in the screenplay, whereas some characters were combined into others. "[O]ur intent all along was to stay true to the book", Rosenberg explained, "and it has to do less with adapting it word for word and more with making sure the characters' arcs and emotional journeys are the same." Hardwicke suggested the use of voice over to convey Bella's internal dialogue—since the novel is told from her point of view—and she sketched some of the storyboards during pre-production.
The filmmakers behind Twilight worked to create a film that was as faithful to the novel as they thought possible when converting the story to another medium, with producer Greg Mooradian saying, "It's very important to distinguish that we're making a separate piece of art that obviously is going to remain very, very faithful to the book.... But at the same time, we have a separate responsibility to make the best movie you can make." To ensure a faithful adaptation, Meyer was kept very involved in the production process, having been invited to visit the set during filming and even asked to give notes on the script and on a rough cut of the film. Of this process, she said, "It was a really pleasant exchange [between me and the filmmakers] from the beginning, which I think is not very typical. They were really interested in my ideas", and, "...they kept me in the loop and with the script, they let me see it and said, 'What are your thoughts?'... They let me have input on it and I think they took 90 percent of what I said and just incorporated it right in to the script." Meyer fought for one line in particular, one of the most well-known from the book about "the lion and the lamb", to be kept verbatim in the film: "I actually think the way Melissa [Rosenberg] wrote it sounded better for the movie [...] but the problem is that line is actually tattooed on peoples' bodies [...] But I said, 'You know, if you take that one and change it, that's a potential backlash situation.'" Meyer was even invited to create a written list of things that could not be changed for the film, such as giving the vampires fangs or killing characters who do not die in the book, that the studio agreed to follow. The consensus among critics is that the filmmakers succeeded in making a film that is very faithful to its source material, with one reviewer stating that, with a few exceptions, "Twilight the movie is unerringly faithful to the source without being hamstrung by it."

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They could have filmed [the script developed when the project was at Paramount] and not called it Twilight because it had nothing to do with the book... When Summit [Entertainment] came into the picture, they were so open to letting us make rules for them, like "Okay, Bella cannot be a track star. Bella cannot have a gun or night vision goggles. And, no jet skis...." However, as is most often the case with film adaptations, differences exist between the film and source material. Certain scenes from the book were cut from the film, such as a biology room scene where Bella's class does blood typing. Hardwicke explains, "Well [the book is] almost 500 pages—you do have to do the sweetened condensed milk version of that.... We already have two scenes in biology: the first time they're in there and then the second time when they connect. For a film, when you condense, you don't want to keep going back to the same setting over and over. So that's not in there." The settings of certain conversations in the book were also changed to make the scenes more "visually dynamic" on-screen, such as Bella's revelation that she knows Edward is a vampire—this happens in a meadow in the film instead of in Edward's car as in the novel. A biology field trip scene is added to the film to condense the moments of Bella's frustration at trying to explain how Edward saved her from being crushed by a van. The villainous vampires are introduced earlier in the film than in the novel. Rosenberg said that "you don't really see James and the other villains until to the last quarter of the book, which really won't work for a movie. You need that ominous tension right off the bat. We needed to see them and that impending danger from the start. And so I had to create back story for them, what they were up to, to flesh them out a bit as characters." Rosenberg also combined some of the human high school students, with Lauren Mallory and Jessica Stanley in the novel becoming the character of Jessica in the film, and a "compilation of a couple of different human characters" becoming Eric Yorkie. About these variances from the book, Mooradian stated, "I think we did a really judicious job of distilling [the book]. Our greatest critic, Stephenie Meyer, loves the screenplay, and that tells me that we made all the right choices in terms of what to keep and what to lose. Invariably, you're going to lose bits and pieces that certain members of the audience are going to desperately want to see, but there's just a reality that we're not making 'Twilight: The Book' the movie." When they told me Rob was probably the one, I looked him up and thought, "Yeah, he can do a version of Edward. He's definitely got that vampire thing going on." And then, when I was on set and I got to watch him go from being Rob to shifting into being Edward, and he actually looked like the Edward in my head, it was a really bizarre experience. [...] He really had it nailed.