Saturday, October 22, 2011

Helloween

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Since its creation, the band had released fifteen studio albums and had know numerous line-up changes: notables former members had created numerous bands, including Gamma Ray, Iron Savior and Masterplan.
Helloween recorded and released its first record in 1985, a self-titled EP containing 5 tracks. Also that year, the band released its first full-length album, Walls of Jericho. During the following concert tour, Hansen had difficulties singing and playing the guitar at the same time. Kai's last recording as the band's lead singer was in 1986 on an EP titled Judas, which contained the song "Judas" and two other live tracks. Following these releases, Helloween began the search for a new vocalist.
The band found an 18-year-old singer, Michael Kiske, from a local Hamburg band named Ill Prophecy. With their new lead singer in tow, Helloween approached record labels Noise International and RCA and proposed the release of a double-LP to introduce the new line-up. This proposition was turned down. Instead, they recorded a single LP, Keeper of the Seven Keys Part I, which was released in 1987. In 1988, Helloween released Keeper of the Seven Keys Part II, the companion album. MTV put the single "I Want Out" into heavy rotation and in support of its "Headbanger's Ball" show. MTV also presented the inaugural Headbanger's Ball Tour with Helloween joining San Francisco Bay area thrash-metal band Exodus in support of headlining act Anthrax. The band was slotted in the prestigious second spot, right before Anthrax's set. On the heels of this exposure to US audiences, the band achieved worldwide success.

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Guitarist Kai Hansen unexpectedly left the band soon after the European leg of the Keeper of the Seven Keys Part II tour, due to conflicts within the band, troubles with Noise International, and a growing dissatisfaction with life on tour. He was soon replaced by former Rampage guitarist Roland Grapow, who finished the rest of the tour with the band.

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In 1989 the band released a live album called Live in the U.K. (Keepers Live in Japan and I Want Out Live in the United States), featuring material from its 1988 European tour. The remaining members continued on, but ran into label problems with Noise, and after litigation kept them from touring and releasing new material, they were eventually released from their contract. A new album would not appear until 1991 when, after several rumors about the band's breaking up, they released Pink Bubbles Go Ape for their new record company, EMI. The album was less heavy, and with song titles such as "Heavy Metal Hamsters", "I'm Doing Fine, Crazy Man", and "Shit and Lobster", showed a shift toward — and an emphasis on — humor rather than the epic moods on previous releases. As a result, Pink Bubbles Go Ape failed both commercially and critically, and tensions started to build amongst the band members.
The pop-influenced follow-up Chameleon was released in 1993. Instead of taking a heavier approach, the band ventured into new territory, eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, grunge, and swing. As with the previous album, Chameleon failed commercially and critically. Tensions within Helloween worsened, and the band split into three factions, with Michael Kiske and Ingo Schwichtenberg on one side, Michael Weikath and Roland Grapow on the other, and Markus Grosskopf in the middle, trying to keep peace between the four men.

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Shortly after, the band began to disintegrate. During the Chameleon tour, the band would often play to half-filled venues. Drummer Ingo Schwichtenberg fell ill due to mental and drug-related issues, and was eventually fired, replaced by session drummer Ritchie Abdel-Nabi. Meanwhile, the conflicts within the rest of the band worsened, with Michael Weikath refusing to work any longer with Michael Kiske. The decision was made to fire Kiske. Since his firing, Kiske has not spoken positively about Helloween. In May 2008, Kiske released Past In Different Ways; an album featuring most of his old Helloween songs, albeit rearranged and re-recorded acoustically. In addition to the firing of Kiske, Abdel-Nabi, whose inability to replicate Schwichtenberg's machine-gun style of drumming hindered Helloween's ability to play live fan-favorites like "Eagle Fly Free" and "How Many Tears", was let go by the band. 1993 would come to a close for Helloween with no singer, no drummer, and no record contract (EMI released the band from its agreement for the low sales numbers for Pink Bubbles Go Ape and Chameleon). Helloween returned in 1994 with former Pink Cream 69 frontman Andi Deris as its new lead singer and Uli Kusch, formerly of Kai Hansen's Gamma Ray, on drums. Deris had been approached by Weikath to join the band in 1991, but he had declined, despite being intrigued by the offer and having to deal with emerging conflicts between him and his band. In the years since, however, Kiske was fired from Helloween and the issues within Pink Cream 69 worsened. Faced with the inevitability of his firing, Deris accepted Weikath's offer. Despite not possessing the four-octave range boasted by Kiske, Deris's vocal similarity to Kai Hansen, his enthusiasm, his strong songwriting skills, the return of the "classic" Helloween sound in songs such as "Where the Rain Grows" and "The Game Is On", and the seeming rejuvenation of Weikath and Grapow seemed to strike a chord with the fans. With this new lineup and a new record contract with Castle Communications, Helloween released its comeback album, Master of the Rings.

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